With photography, the best thing to do is look straight at the person, place, or situation you are photographing and just press the shutter without thinking about anything. By doing this, the power of the subject comes across, and this is the strength of the photographic genre. I feel that among recent submissions to the competition, perhaps too many have been mentally conceptualized beforehand, or suffered from the overuse of sophisticated camera functions.

Photographers should remind themselves of the basic truth that if the subject is not good, the photograph won’t be any good either. They need to take more of a hands-off approach, and focus on having encounters with things and people. So for this year’s competition, I chose works that gave me the impression that the photographer had done just that.

I didn’t feel that the submissions to this year’s competition were particularly different from those submitted at previous competitions. Even so, it’s a fact that the skill level is so high now that I just assume all the work I look at will demonstrate a high level of skill. This means that it’s pointless to pick winners and losers on the basis of skill alone. In addition, elaborately produced photographs that have been forced to incorporate some kind of drama inevitably turn out to be weak.

Photographs must depict things that are important in the lives of the individuals who take them. Photographs that show you that the photographer got wet, sweated, or was breathing heavily can often move the viewer. It’s good to be honest and straightforward towards both your subject and your own feelings.

-Nobuyoshi Araki

excerpt from his statement at the Grand Prize selection open-committee meeting for the 2007 Canon New Cosmos award.

source

(via valerian)
ileftmyheartintokyo:

Naha City by endopore0830 on Flickr.
7hitori:

;A; So I was looking up Yoko references for the making of my Yoko cosplay and found this, and was on skype to my boyfriend at the time and very nearly burst into tears and just kept shouting at him “YOU DON’T UNDERSTAND YOU DON’T” and he just carried on playing Tales of Xillia BUT WHO CARES I LOVE THIS PAIRING SO MUCH AMG ;A; tragicshipsalwaysgetmeee

7hitori:

;A; So I was looking up Yoko references for the making of my Yoko cosplay and found this, and was on skype to my boyfriend at the time and very nearly burst into tears and just kept shouting at him “YOU DON’T UNDERSTAND YOU DON’T” and he just carried on playing Tales of Xillia BUT WHO CARES I LOVE THIS PAIRING SO MUCH AMG ;A; tragicshipsalwaysgetmeee

notcallum:

when ur friends make fun of something ur secretly into

image

ragafox:

you’ve got a lil’ somethin’ right there

the-ever-so-odious:

Orca: “hello friends where’s the party”
Penguins: “FUCK SHIT NOT THIS ASSHOLE AGAIN RUN”

sg2tiger:

Basically every RPG quest ever.

sg2tiger:

Basically every RPG quest ever.

tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)

Week one round up: 1 2 3 4 5 6 7

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
9. Find a subject you care aboutand which you in your heart feel others should care about.
10. Do not ramble.
11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.
12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.
13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.
14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.
15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.
16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

9. Find a subject you care aboutand which you in your heart feel others should care about.

10. Do not ramble.

11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.